Greg Dulli 'Random Desire'
Originality85
Lyrical Content85
Longevity80
Overall Impact85
Reader Rating0 Votes0
84
Similar fare to The Afghan Whigs but no less brilliant because of it

After 30 years spanning The Afghan Whigs and The Gutter Twins, not to mention more collaborations and contributions that can be counted, it’s incredible that Random Desire is Dulli’s first, full solo album.

The closest that Dulli got before this was 2005’s Amber Headlights, a collection of tracks originally abandoned after the death of his close friend and film director, Ted Demme in 2002. Its three-year, later than scheduled release meant that it slipped under the radar and, as a collection of tracks rather than a full, cohesive album, wasn’t really seen as a debut solo composition.

What we have in Random Desire then, is typical Afghan Whigs fare, coalesced with Dulli’s extravagant, personal lyrics and sung with typical aplomb, even when he’s wearing his heart on his sleeve.

Deciphering the lyrics is for the more poetically minded but on an album solely written by Dulli, nothing less should be expected. It’s clear though that love is lost, old flames are recalled, and images of smoky cocktail bars, ballrooms and neon strung sidewalks are manhandled through the haze of Dulli’s memories.

It’s some journey. ‘Scorpio’ has a melody that punches and with the sinister, eastern feel of ‘A Ghost’ followed by a delightful mix of electronic beats and horns on ‘Lockless’, the listener roams the streets hand in hand with Dulli, lost in an erotic dream until the harp strings of ‘Slow Pan’ close with him telling the listener he would do anything to feel the fires of desire again.

More Random Desire would be more than welcome.