With their new album ‘Queen of Golden Dogs’ set for release Nov 9th (digitally) & Nov 23rd (physically) via Tri-Angle Records, London-based producer Vessel is sharing new single & video “Paplu (Love That Moves The Sun)“.
Directed by Pedro Maia and using Remedios Varo’s painting “Les Feuilles Mortes” (1956) as point of departure, the new video follows a female figure, The Queen, exploring a constant concept of transformation, transformation of the self and the transformation of reality that occurs as a result. In her world, there are no rules, whatever she imagines, exists.
‘Queen of Golden Dogs’ – the third album from Vessel – was conceived, developed and rendered into life over eighteen months of solitude in rural Wales. In essence, it is an exploration of living a life devoted to uncertainty, curiosity and change.
Influenced by a range of writers, the painter Remedios Varo, and a new love, the album is a marked departure from Vessel’s previous work. The world of ‘Queen of Golden Dogs’ is saturated with colour; oscillating between grief, bombast and fierce joy, this is music shot through with both sincerity and irreverence.
Whilst traces of his sonic signature remain, there is much changed since Vessel’s second album, Punish, Honey. An infatuation with chamber music brought about in collaboration with his violinist lover, and a voice given by singer Olivia Chaney leave strong impressions, providing landmarks in a world that is essentially about the joys of difference.
“Fantasma (For Jasmine)”, a prologue of sorts, careens from bent cello to blunt force percussion and billowing synthesisers, dispersing into the harmonically restless lament of “Good Animal (For Hannah)”, providing the album with the first of it’s many purposefully uncomfortable segues. Ideas of transformation are regularly explored internally within individual pieces, as well as across the album as a whole, dominated by unpredictable shifts in tone. The probing string swells of “Argo (For Maggie)” give way to throbbing bass and slippery rhythms, which twist briefly into an almost pop leaning chorus before a barrage of fuzzy drums lead to one of the albums most straightforwardly techno moments. The layered voices of “Torno-me eles e nau-eu (For Remedios)” offer the most overt example of Vessel’s move towards classical forms. Using chromaticism, dissonance and sweetness, he explores a space that seemingly refuses to resolve, although eventually revealing itself as an extended reflection of album centrepiece, “Paplu Love That Moves The Sun”.