Soccer96 (the revered synth and drums duo of Danalogue and Betamax of The Comet Is Coming) have released a new single ‘I Was Gonna Fight Fascism’ on Moshi Moshi
Soccer96 return with new single ‘I Was Gonna Fight Fascism’. Having recently signed to Moshi Moshi Records, the track is accompanied by the announcement of the band’s forthcoming EP ‘Tactics’, which is due out 26th June.
Soccer96, is the revered synth and drums duo of Danalogue [Dan Leavers] and Betamax [Max Hallett], who are most known as being two thirds of Mercury nominated band The Comet Is Coming (Impulse! Universal), and also producing and mixing the group’s records.
As well as performing live in various groups, Danalogueis an in-demand record producer, having worked on both of the critically acclaimed Snapped Ankles albums, as well as records by Bo Ningen, Ibibio Soundmachine, Flamingods, Lunch Money and Vels trio. Similarly, Betamax is a highly regarded drummer and is an auxiliary member of Sons of Kemet. His other bands include Hot Head Show, Champagne Dub and Super Best Friends Club.
‘Tactics’ sees Soccer96 expand on their duo template as they are joined by the entirely original Alabaster dePlume on vocals and Total Refreshment Centre’s head engineer Kristian Craig Robinson AKA ‘CapitolK’ on bass, who also engineered the recordings.
These new collaborations were born out of spontaneity. Having produced Alabaster’s LP ‘The Corner of a Sphere’ Danalogue and Alabaster found a lot of unexpected common ground, in composition, politics and heady late-night jams. They would often find themselves on similar festival bills, where Alabaster would be invited to jump on stage and recite one of his poems over a fiery improvisation. The lyrics were the same, but Alabaster’s delivery was supercharged, direct and pulsing with rhythm. It was clear that this had to be chronicled.
Recorded at the duo’s spiritual home, the infamous Total Refreshment Centre, ‘Tactics’ sees Danalogue and Betamax transmit impassioned and motoric synth-scapes over infectious beats and celestial dance. Built out of the raw energy of their improvisations, the band instil adrenaline into every track combining intricate synth riffing with wall of sound atmospherics and a fiery rhythm section. A delicate balance of dark and light, heavy and danceable, the expansion from duo to quartet on this EP also sees Soccer96 resituate itself within the vast musical universe that exists across their previous recordings and other projects.
Alabaster’s lyrics carry the voice of a disaffected generation. Responding in the moment, his vocal performances provide an acerbic and sardonic take on the hypocrisies of the leftist ideal against the backdrop of mass consumerism, manipulation of the media, the rise of fascism across Europe and the failings of humans in general. In an era of battling ideologies, Soccer96 are a propellant for Alabaster’s philosophical and topical poetry, amplifying these messages and providing a platform to extend their reach to new audiences.
Speaking about the collaboration, Danalogue says, “In some ways it’s very similar to how we started things with The Comet Is Coming, plugging Shabaka [Hutchings] into a guitar amp in our studio and egging each other on to go further, dirtier, louder. This time we plugged Alabaster into the Soccer96 turbo charger, and the results are pretty spectacular.”
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