POLIÇA announce new album & share first single “Driving”

LP ‘When We Stay Alive’ due Jan 31st via Memphis Industries. UK tour next Feb!

Poliça return with their new album ‘When We Stay Alive’, which is set for release January 31st via Memphis Industries. Today the band are sharing the first single & video from the album, “Driving”. 

When Poliça’s Channy Leaneagh fell off her roof while clearing ice in early 2018, she smashed her L1 vertebrae and battered her spine, leaving her in a brace with limited mobility for months. Yet Poliça’s fourth album, ‘When We Stay Alive’, is not about one debilitating accident. It’s about the redemptive power of rewriting your story in order to heal, and reclaiming your identity as a result.

With a video directed by Isaac Gale, Leaneagh explains the meaning behind the first single “Driving” as she says “Laying in bed, as I healed from a 10 foot fall of carelessness with my life, I would dream of running in green grass and tears would pour from my eyes. “Running in the tall tear grass; imagine wanting life and the want remains.” That is a feeling to hold onto; that life is worth living even when all the towers are crumbling and this goes beyond my own little accident but the world around me. Following the crone into the sinking ship and having the chance to return without a shadow. Drive on, Drive on. A second chance you won’t forget”.

While recovering, Leaneagh’s doctor told her to focus not only on physical healing, but to meditate on the mental act of healing as well – working to erase the anger, regrets, and fear she felt about her fall. To do so, he suggested she rewrite the story she told herself about what happened on February 28th. Left alone with her thoughts and her back fully braced, Leaneagh would visualize herself slipping and falling not onto cement, but instead onto a cloud, landing safely before breaking into a sprint over snow melting to reveal tall blades of green grass. As she felt the positive effects of this mental exercise, she set about doing the same for other injuries and pains that she gripped onto from her past.

Prior to Leaneagh’s accident, she had been setting music aside as she raised her children and worked to make ends meet as a nursing assistant. Now in the still silence of healing, she found that a multitude of feelings were becoming very loud. Leaneagh realized her self-identity had become attached to her experiences of physical and mental trauma, and she began to consider what it would be like to live without the past as a burden. “I felt there were many things I could look at and say, ‘This happened to me but I’m okay now. It’s not happening anymore and I got the care I needed for it. Now it’s time to rewrite the story I tell about myself and to myself,’” she explains.

While half of ‘When We Stay Alive’ was written before the fall, and half afterwards, the tracks meld together in a coherent and redemptive sonic whole. Those written before the fall relay ideas with a more heightened sense of anxiety and distress: the rousing “Forget Me Now” interrogates what makes two people bring out the worst in each other, while on the soulful “Steady,” Leaneagh struggles with the sudden pressure of becoming the head of her immediate family after her parents moved away. “TATA” was inspired by the challenge of keeping a cool head in the face of tense community meetings where anger continues to rise against Northern Metals, a north Minneapolis company under fire for pollution issues.

Inspired by the power found in her healing process, on the second batch of songs Leaneagh tried a slightly different approach, working to reevaluate her past, difficult personal experiences and bring in a sense of insight, strength, and light that perhaps wasn’t there at the time. The stirring “Feel Life” captures Leaneagh’s process of recasting pain as an alarm to live and see beyond what we lack. She takes back her sense of self on the haunting “Be Again,”a song recorded as she relearned to sing while wearing a brace. “For me this song is a meditation to myself,” Leaneagh explains. “To come back from the disassociation I’ve lived with most of my life.” “Blood Moon” sees her examining how keeping this sort of guard up can prove more precariously isolating than protective. “I can look back and see how music has always been here for me to be loud, say what I feel and ask for what I need in these songs I write,” she says. “I always find my courage again on the stage – that is where I feel alive, and for that I am eternally grateful for music and the people that I make it with.”

‘When We Stay Alive’ possesses a new confidence in its sound, reflected in its fierce, determined songs and anchored by the heavy synths and punctuating beats of Poliça co-founder and producer Ryan Olson. Over the last several years Olson and Leaneagh have widely collaborated with musicians from all over the world: both with Bon Iver, and Leaneagh individually with Boys Noize, Lane 8, Sasha, Leftfield, and Daniel Wohl; Olson with Swamp Dogg in addition to countless musicians from the 37d03d collective. As a result, ‘When We Stay Alive’ features one of the largest musical casts of any Poliça record to date. To create the album, Olson brought his favorite collaborators into his studio for all-night sessions. He’d then send Leaneagh the files to write lyrics to while recovering at home, which she’d record alone or with engineer Alex Proctor. Drummers Drew Christopherson and Ben Ivascu colored the songs with a new approach – drastically changing the rhythmic dynamic from previous efforts by creating an indistinguishable hybrid of live and electronic instrumentation–and bassist Chris Bierden provided a melody-laden low-end as well as more layered backing vocals than ever before.

On Poliça’s first three albums, Leaneagh focused on restructuring the world and her relationships within it. On ‘When We Stay Alive’, she realises the power in restructuring her inner self. The album’s title references the idea of moving forward through life – our experiences, both good and bad – and what happens next with the strength we find. “I had been living unconsciously in past trauma,” Leaneagh says. “I don’t want to deny something happened – this is not about repression – it’s about taking the power back from the past, holding the power in the present, and creating a new story for myself.”

See Poliça live:

11/10 – Chicago, IL – Empty Bottle 

12/10 – Milwaukee, WI – Flannel Fest

23/11 – Eau Claire, WI – Jampf Theater

26/11-27/11 – Minneapolis, MN – 7th St Entry

7/2 – Bristol, UK – Thekla

8/2 – Manchester, UK – Gorilla

10/2 – Glasgow, UK – St. Lukes

11/2 – London, UK – Village Underground

12/2 –  Brighton, UK – Concorde 2

14/2 – Paris, France – La Maroquinerie

15/2 –  Brussels, Belgium – Botanique/Orangerie

16/2 – Frankfurt, Germany – Zoom

18/2 – Cologne, Germany – Artheatre

19/2 – Hamburg, Germany – Gruenspan

21/2 – Oslo, Sweden – John Dee

22/2 – Stockholm, Sweden – Slaktkyrkan

24/2 – Copenhagen, Denmark – Little Vega

25/2 – Berlin, Germany – Columbia Theatre

27/2 – Warsaw, Poland – Hydrozagadka

28/2 – Vienna, Austria – WUK

29/2 – Munich, Germany – Hansa 39

1/3 – Milan, Italy – Santeria

3/3 – Barcelona, Spain – La Nau

4/3 – Madrid, Spain – Caracol

19/3 – Madison, WI – High Noon Saloon

20/3 – Chicago, IL – Thalia Hall

21/3 – Detroit, MI – Deluxx Fluxx

23/3 – Toronto, OH – Horeshoe Tavern

24/3 – Montreal, QB – Bar Le Ritz

25/3  – Boston, MA – Brighton Music Hall

27/3 – New York City, NY – Webster Hall

28/3 – Philadephia, PA – Union Transfer

29/3 – Washington, D.C. – 9:30 Club

31/3 – Columbus, OH – The Basement

1/4 – St. Louis, MO – Off Broadway

2/4 – Maquoketa, IA – Codfish Hollow Barn

10/4 – Minneapolis, MN – First Avenue

16/4 – Seattle, WA – Neptune Theatre

17/4 – Vancouver, BC – Venue

18/4 – Portland, OR – Wonder Ballroom

20/4 – Sacramento, CA – Harlow’s 

21/4 – San Francisco, CA – The Fillmore

22/4 – Los Angeles, CA – Teragram Ballroom

24/4 – Phoenix, AZ – Crescent Ballroom

25/4 – Albuquerque, NM – Sister

27/4 – Austin, TX – Scoot Inn

28/4 – Dallas, TX – Deep Ellum Art Co

29/4 – Oklahoma City, OK – 89th St

30/4 – Lawrence, KS – The Bottleneck

1/5 – Omaha, NE – Waiting Room 

2/5 – Des Moines, IA – Vaudeville Mews

(Tickets on sale on Friday 11th October)

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